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Back To The Future Part IV - Fan Script.

Discussion in 'Fan Fiction' started by cardiff1984, Nov 17, 2019.

  1. cardiff1984

    cardiff1984 Soap Chat Active Member

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    EXT. HILL VALLEY TOWN SQUARE.





    EXT. DMC DELOREAN TIME MACHINE.





    The Time Vehicle speeds out of the Alley way.​




    INT. DELOREAN.





    MARTY MCFLY. LINDA MCFLY.





    The two hold on for their lives.



    INT. LORRAINE.





    Lorraine steers the car to the left, as it exits the Alleyway.





    EXT. DOC BROWN.



    Doc kneels down, watching the Delorean speed off.





    EXT. MAYOR GOLDIE WILSON. WILSON II.





    They witness the Delorean screech away.​




    The Delorean turns left again and is speeding in the direction of Doc's Lab and Lone Pine Mall.





    EXT. POLICE OFFICER.





    The officer who is about to arrest Doc, calls his radio.​





    OFFICER


    Requesting back up involving possible accomplices to potentially dangerous suspect Doc Brown. Their getaway vehicle is a Delorean Car, seen heading down Main Street, towards Lone Pine Mall.




    EXT. POLICE CARS.





    Patrol Cars are seen dispatching from their areas and going in pursuit.





    EXT. DELOREAN.​




    Swerving in and out of traffic.





    INT. LORRAINE.





    Lorraine tries her best to control the car, as she panics.​





    LORRAINE


    Will somebody please tell me what the hell is going on? Why have I got the feeling you've got me involved in something illegal?




    INT. MARTY MCFLY. LINDA MCFLY. EINSTEIN.





    The two cling on.​





    MARTY


    You wouldn't believe me if I told you.




    EXT. POLICE CAR.





    A police vehicle in pursuit appears from a street on the right. And Linda is first to spot the danger.




    LINDA


    Grandma, watch out!




    The steers the Delorean away in time from a possible collision. A second Police Vehicle speeds from an


    opposite direction, screeching and chases after the Mcfly's.





    Lorraine looks into her side mirror and sees the tail.​





    LORRAINE


    We got a tail.





    MARTY


    Make that two.





    LORRAINE


    Please tell me how to get us out of this.





    LINDA


    Keep driving.




    Lorraine gives her Grand daughter a look of not helpful.





    LORRAINE


    Oh, yeah where?




    Linda is lost for ideas.





    An on coming Police Car tries to intercept the escaping Time Car, but Lorraine swerves to avoid it and drives onto the Kerb. Linda screams. So does Marty. Lorraine knocks over Trash Cans. The Delorean again vears into traffic and horns are honked.​




    Further ahead is a road Block and a Workman is holding up a Stop Sign. Marty and Linda are not feeling to confident.​





    MARTY


    Uh, Mo- Lorraine - look.




    Lorraine feels nervous.​





    LORRAINE


    Oh no.




    Linda tenses.​





    LINDA


    Uh you're not serious?





    LORRAINE


    Will you two stop putting pressure on me. I never wanted any of this. Hold on.




    The Workman sees the Delorean speeding towards him and puts his hand up, as a warning to stop. Lorraine ignores the warning.​




    Marty and Linda prepare for the worst.​





    MARTY


    Oh this is heavy.




    The Workman waves his arms profusely, as the Delorean fast approaches at high speed.​





    WORKMAN


    Whoa Whoa!




    The Workman dives out of the way, as Lorraine smashes through Road Blocks. The Delorean bounces on uneven ground and through barriers hard enough, that the Time Circuits scramble.​




    THE DATE 'TUESDAY DECEMBER 1ST 1925, 04:00 AM,' KEEP FLASHING!



    Lorraine manages to maneouvre the Time Machine threw the rough Terrain. Lorraine continues to speed. Marty and Linda catch their breath. The sign for LONE PINE MALL is then shown.​




    EXT. LONE PINE MALL.





    The Pursuit is then taken to the Local Shopping Mall.




    MARTY


    Oh no, not Twin Pines Mall.




    Linda frowns.​





    LINDA


    Twin Pines Mall?




    As they approach a certain section of the Mall, a Police Car appears. Marty calls out as a warning.​





    MARTY


    Look out!




    Lorraine diverts into the main parking lot. The three watch in horror, as Law Enforcement close in from all directions.​




    THE CAMERA THEN PANS UPWARDS. POLICE VEHICLES ARE SEEN SWARMING ALL AROUND THE SHOPPING MALL.​







    EXT. PARKING LOT.





    Two Workmen are seen finishing up, fitting a new FOTOBOOTH, after replacing it, with the one the Terrorists wrecked the previous Saturday with their VW Minivan. One of them discards one of his tools and is pleased with himself.​





    WORKER 1


    That should do it.





    WORKER 2


    Considering we worked relentlessly through Sunday. I hope we get overtime for this.




    INT. DELOREAN.





    Lorraine seems to have ran out of ideas and their escape looks to have failed. Marty and Linda are panicked.​





    MARTY


    We're done for.

    INT. POLICE CAR


    Two Officers are in pursuit. One draws a Handgun, as the chase escalates further.​





    OFFICER PASSENGER


    I'll try blow out a tyre. Hopefully it will slow them down.







    EXT. JC PENNY STORE.





    INT. DELOREAN.





    Lorraine spots the Officer pointing a pistol.​





    LORRAINE


    Holy shit. See if you Bastards can do Ninety.




    Lorraine puts the Time Vehicle into high gear and the Delorean speeds up. Linda and Marty hold on tight.​





    LINDA


    Oh my God.




    Einstein barks.​




    FROM THE POV OF THE WINDHIELD THE DELOREAN IS HURTLING PAST PARKED CARS AND TOWARDS THE NEW FOTO FOX STAND.


    LAW ENFORCEMENT VEHICLES ARE CLOSING IN ALL AROUND THE DELOREAN.​




    THE DELOREAN HITS EIGHTY EIGHT MILES PER HOUR AND THE FLUXCIPACITOR LIGHTS UP. TEMPORAL DISPLACEMENT OCCURS AND THE TIME MACHINE TRAVELS THROUGH TIME.​








    Tuesday


    December 1st


    1925







    EXT. DARK.





    EXT. FIELD.





    The Time Machine is seen arriving in darkness.​




    EXT. SCARECROW.





    THE CAR HIT THE SCARECROW. MARTY, LINDA AND LORRAINE SCREAM LOUDLY. EINSTEIN COWERS. LORRAINE IS UNABLE TO SEE AHEAD, AS SHE IS UNABLE TO SHAKE OFF THE SCARECROW.​




    EXT. DELOREAN.





    It's then seen smashing through bushes at high speeds. Marty and Linda are being thrown about.




    LINDA


    Will you stop the car?





    LORRAINE


    I'm trying to. I can't see a Damn thing!




    THE TIME MACHINE IS SEEN WHEEL SPINNING AROUND AN OPEN DESOLATE AREA. IT THEN SMASHES THROUGH A FENCE. THE IMPACT KNOCKS THE SCARECROW OFF. THE TIME VEHICLE THEN HEADS DOWN AN EMBANKMENT AND ONTO A RAILWAY LINE. THE DELOREAN COMES TO AN ABRUPT HALT.​

















     
    Last edited: Mar 10, 2020
  2. cardiff1984

    cardiff1984 Soap Chat Active Member

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    Tuesday


    December 1st


    1925


    04:01 a.m.







    EXT. DARK.





    EXT. RAILWAY LINE.





    EXT. DELOREAN TIME MACHINE.​




    The Time Vehicle has come to an abrupt stop.





    INT. DELOREAN.





    INT. MARTY MCFLY.​




    Marty grasping Linda tightly.





    INT. LINDA MCFLY.





    She holds onto her father.



    INT. LORRAINE MCFLY.





    Lorraine grips the steering wheel and gets her breath and looks up out of the window.





    It's pitch black, but they are safe.​




    INT. EINSTEIN.





    The dog whines.





    Lorraine is in shock after a pursuit, which has ended up taken them to an unknown time period from their perspective.​

    She nervously looks to her Son and Grand Daughter, who are also shaken up by the recent ordeal. It takes a while for both Marty


    and Linda to notice, they appear to be elsewhere. Lorraine gulps.​





    LORRAINE


    Everybody OK?




    Marty and Linda take a moment to get a grip and not stress.​





    MARTY


    I'm fine.





    LINDA


    Yeah, me too.




    Lorraine nods and glances at Einstein.





    EXT. DELOREAN.​




    Lorraine flips the Gullwing door open.





    EXT. LORRAINE.





    She steps out of the Time Machine and groggily steps onto and off the track. She looks up and down the Track and shivers


    from the cold.​




    There is a slight wind chill. Lorraine is terrified. Tears fill her eyes.​





    LORRAINE


    Where the hell am I?


    (to herself)




    The passenger Gullwing door flies open.





    EXT. MARTY MCFLY





    Marty cautiously gets out and too looks to his surroundings. It's too dark to tell, where they've come to a halt.​




    EXT. EINSTEIN.





    Eintsein jumps out.





    EXT. LINDA.​




    Linda pulls herself out.





    The territory looks unfamiliat to them. All three appear to be concerned, as they stand just off the track.





    Lorraine paces herself to Marty. She is beside herself.​





    LORRAINE


    Where the hell are we?





    MARTY


    When the hell are we?


    (quietly)




    Lorraine is frustrated.​





    LORRAINE


    What?




    Linda puffs.​





    LINDA


    I'll go check the a' ...


    (hesitating)


    Dashboard.




    INT. DELOREAN.





    INT. TIME CIRCUITS.





    Linda gets into the Delorean to check the Time Circuits, just as they go off.​




    SUDDENLY THERE IS A LOUD ALARM NOISE. THE PLUTONIUM CHAMBER IS EMPTY.​




    Linda rubs her forehead in dismay. She gets out of the Time Machine.





    EXT. RAILWAY LINE.





    Marty thumps the top of the Delorean angry. Linda shrugs.​





    LINDA


    Looks like we're out of Plutonium.




    Lorraine feeling chilly frowns.​





    LORRAINE


    Don't you mean Gasoline?




    Linda pauses momentarily.​





    LINDA


    Right.





    LORRAINE


    So, what now? Where are we? Why is it dark?





    MARTY


    I don't know. I'm as perplexed as you are.




    Lorraine breathes fast and heavily and continously rubs her arms.​





    LORRAINE


    One minute we're running from cops in brought daylight, through a Parking Lot. Next Minute, I'm driving through a dark field, with a Scarecrow on the hood of the car and then coming to a stop on a Railway Line.




    Marty tries to reassure her.​





    MARTY


    There has to be a simple explanation.




    Lorraine nods looking traumatized.​





    LORRAINE


    Yeah...yeah.


    (unsure)


    (she clears her head)


    OK Mcfly, get a' grip of yourself. It's just a dream. It's just a very intense dream.




    Linda walks over and attempts to comfort her Grand Mother. She rubs her arms.​





    LINDA


    We'll fix this.


    (she turns to Marty)


    Won't we Dad?




    Marty gives an unsure expression.​





    MARTY


    Yeah...




    Eintstein whines again. Marty pats him.​





    MARTY


    I know boy. We'll figure it out.




    SUDDENLY, THE SOUND OF A STEAM TRAIN CAN BE HEARD APPROACHING AND IT'S HORN SOUNDS.





    The three take a moment to recognize the sound. They look into the open spaces, trying to use their hearing to pin point where it's coming from.​





    LINDA


    Do you here that?




    Marty is fearful.​





    MARTY


    Uh -yeah.





    LORRAINE


    It sounds like a Train.




    Marty stares at the Delorean parked across the Track, with both Gullwing doors open. Marty has a bad feeling. Linda folds her arms tightly.​





    LINDA


    I'm numb. We need to find help.





    LORRAINE


    I need to wake up.




    The sound of a train is getting closer and closer. The three look out for it.​





    LINDA


    It's getting closer.




    Marty peers through the darkness.​





    MARTY


    I don't see it.


    (he glances at the Delorean)


    Maybe we should move the Time Machine.




    Lorraine finds Marty's referring to the Delorean a Time Machine obsurd.​





    LORRAINE


    A Time Machine?




    The sound of the Train is ever nearer, as it's horn is signalled again. Einstein makes himself scarce.​





    LINDA


    Oh, Jesus Christ, where the hell is that sound coming from?




    SUDDENLY OUT OF KNOWHERE.





    EXT. CROSS COUNTRY STEAM TRAIN​




    The lights of a Train appears from a Railway Tunnel, that none of the Mcfly's realized was meters from them.​




    THE TRAIN SPEEDS OUT OF THE TUNNEL AND PLOUGHS STRAIGHT INTO THE DELOREAN TIME MACHINE AND SENDS IT SPRAWLING TO THE SIDE OF THE LINE. THE TRAIN IS THEN SEEN SCREECHING UP THE TRACK.​




    MARTY, LINDA AND LORRAINE FREEZE.





    THE TRAIN PASSES AND THE TIME VEHICLE IN PIECES. THE TRAIN COMES TO A HALT OVER A HUNDRED FEET UP THE TRACK.​




    Marty is devastated. He slowly walks towards the wreckage of the Delorean. He stares at it. Linda is horrified. She walks over to her father.​




    EXT. FLUXCIPACITOR.





    Marty just about makes out the broken Fluxcipacitor and picks it up and his eyes fill with tears of fear. He puts his hand to his mouth and cries.




    MARTY


    Oh..my God.





    LINDA


    There was nothing you could have done.




    Marty drops the Fluxcipacitor dumbfounded.​





    MARTY


    We're screwed. Doc warned me about this.





    LINDA


    It was an accident.




    Marty quickly turns to his daughter feeling angst.​





    MARTY


    Linda, this version of the Delorean should not have been destroyed until I returned from 1885.





    LINDA


    Huh?





    MARTY


    From a Time Travel Perspective it should still exist for seventy years.





    LINDA


    Oh no.





    MARTY


    Linda. Now it's destroyed. We're looking at a potential paradox, unless we find out what year we're in and if we can fix this.




    Linda tries to contain herself. She turns around. Lorraine has vanished. Einstein is cowering.​





    LINDA


    Where's Grandma?




    Marty sighs.​





    MARTY


    Whoa this heavy?



























     
  3. cardiff1984

    cardiff1984 Soap Chat Active Member

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    Tuesday


    December 1st


    1925


    04:05 AM.

    EXT. DARK.




    EXT. RAILWAY.





    EXT. STEAM TRAIN.





    The Train has come to a halt, nearly a hundred feet away from the wrecked Delorean.​




    EXT. TRAIN CONDUCTOR.





    A man in his late forties, wearing a Dark Cap and Suit, with a Whistle round his neck, darts out of one of the Cabins and


    onto the side of the Track. He tries to peer down in the direction of the Tunnel they just exit. He then puts on a Torch Light


    and proceeds down the Track.​




    THE CAMERA PANS TO THE WINDOW OF A CABIN.





    INT. TWO MALES.





    The two look through the window with concern.​




    EXT. TWO MALES.





    The two exit the train. They are wearing Three Piece Suits and both wearing Boe Ties and have Pocket Watches.


    One has Light Brown Hair and looks about 39 years Old. The Other has Light Blonde Hair and looks aged 38.​




    Other train employees, including to what appears to be a Waitor, walk down the track, as passengers are heard and appearing from the Train.





    A much older man, about 60 appears in his Night Clothes and wearing a Night Cap. He seems disgruntled.




    OLDER MAN


    What in blazes was that terrible jolt?




    The two Males begin to wonder.​





    YOUNGER MALE


    Looks serious.





    OLDER MALE


    Didn't feel like a big thud. I wonder what we hit.





    YOUNGER MALE


    Shall we go investigate?





    OLDER MALE


    No. Let's go back inside for a moment. We're not far from the Station anyway.




    INT. TRAIN.





    The two men re-enter the Train and most Males appear in Top Hats and Long Coats.





    Some Ladies are in Fur Coats, Evening Dresses and carry Umbrella's. By appear to be posh and well mannered.​




    It looks like they are in an Upper Class part of the Train.





    The two take to their seats at a table. The older Male checks his pocket watch.




    OLDER MALE


    It's gone four. I actually can't wait to get home and get some sleep.





    YOUNGER MALE


    Explains why we never seem to enjoy sleeping on a train.





    OLDER MALE


    Well we're home early enough.


    (glances out of the window)


    It must have been a Cow or Sheep or something.




    Younger Male raises his eyebrow.​





    OLDER MALE


    We are travelling past a Field after all.





    YOUNGER MALE


    Oh right I see.







    EXT. RAILWAY TRACK.





    DARKNESS.





    EXT. CONDUCTOR. EMPLOYEES.​




    The Train officials wonder further down the Line and come across something unusual.





    EXT. WRECKED DELOREAN.





    The Employees point their flash lights at the destroyed Time Vehicle. They look really curious by their discovery.​

    They scour the remains.​





    CONDUCTOR


    What is this?





    WAITOR


    Could it be a Spaceship?




    The Conductor gives him a Stern look.​





    CONDUCTOR


    You have a vivid imagination Charlie.




    Charlie shrugs.​





    CHARLIE


    You never know.




    Something catches the Conductors eye.​




    EXT. FLUXCIPACITOR.





    The Conductor picks it up and is intrigued by it's 'Y' Shape.








    INT. TRAIN.​




    INT. CONDUCTOR.





    He returns to the Train, holding something in his hand.





    INT. WAITOR.​




    Charlie follows on behind with other officials.​







    INT. OLDER MALE.​




    INT. YOUNGER MALE.





    They get off their seats. Other passengers are waiting for results of the what causes the abrupt Halt.​





    OLDER MALE


    Sir, what did you find out there?





    CONDUCTOR


    I'm not sure. Something that I've never come across before.




    Charlie is get over excited.​





    CHARLIE


    It was a U.F.O. I'm certain of it.




    The Conductor seems annoyed.​





    CONDUCTOR


    You know there's a local man that lives here by the name of Peabody. You and him would get on like a house on fire - in an Asylum.


    (sarcastically)




    The younger man is wondering what the Conducter is holding.​





    YOUNGER MAN


    What's that in your hand?





    CONDUCTOR


    Beats the hell out of me.




    EXT. FLUXCIPACITOR.





    He reveals the Time Element.





    The two Men are shocked out of their stooper.​





    TWO MALES TOGETHER


    The Fluxcipacitor?




    The Conductor is caught off guard by their outburst.​





    CONDUCTOR


    The what?





    The two men hesitate and compose themselves.





    OLDER MALE


    Um..nothing.




    Younger Male laughs nervously.​





    YOUNGER MALE


    Yeah..nothing.




    The older man pulls his fellow man to the side and start whispering.​





    OLDER MALE


    How did the Time Machine end up here?





    YOUNGER MALE


    Question is Jules, who brought the Time Machine here?





    JULES


    Secondly, Verne, when did they come from?




    THE TWO MALES ARE REVEALED AS DOC BROWNS SONS, WHO'S YOUNGER VERSIONS WERE SEEN AT THE END OF PART III.​





    VERNE


    And the Circumstances.





    JULES


    Whoever they are. They here - in 1925.









     
  4. cardiff1984

    cardiff1984 Soap Chat Active Member

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    EXT. DARK.





    EXT. FIELD.





    A brisk wind chill blows.​




    EXT. LORRAINE.





    Lorraine walks alone. Cold with her arms folded tightly, as she wanders for any Civilization.


    She is in complete shock from the instant transition of her surroundings. One minutes it's


    daylight, next it's complete darkness.​




    Lorraine steps onto a country road and spots an isolated house. Lorraine paces herself to the front door and knocks profusely, in desperation. The porch light comes on.​





    LORRAINE


    Hello? Hello anybody home?




    The front door opens.





    EXT. FEMALE.​




    A middle aged female in a Nightgown appears, holding a candle appears. She looks pretty annoyed.​





    WOMAN


    Can I help you?




    Lorraine hesitates and appears to be familiar with the lady.​





    LORRAINE


    Uh - I'm lost. There's been an accident. I need to use your phone.




    The woman is half asleep. Half awake.​





    WOMAN


    Sorry, but I don't take in strangers.





    LORRAINE


    You look so familiar to me. Do you know my mother?




    The woman looks glumly at the strange woman outside her Porch.​





    WOMAN


    What's your mother's name?





    LORRAINE


    Stella - Stella Baines.




    The woman stares at her momenatrily and then gives her an intimidating look.​





    WOMAN


    Never heard of her.





    LORRAINE


    Oh..well it won't take long.





    WOMAN


    Didn't you hear what I said?




    The woman is about to shut the door on Lorraine, but Lorraine places her foot in front of the door. Lorraine is get up tight.​





    LORRAINE


    I just want use your phone!




    The woman thinks for a moment, then smiles.​





    WOMAN


    Of course. Come on in.




    Lorraine slowly enters the dark hallway.





    THE CAMERA MOVES TO A CLOSE UP OF LORRAINE. SUDDENLY, SHE IS HIT ON THE HEAD AND FALLS TO GROUND.


    THE LADY HAS KNOCKED LORRAINE UNCONSCIOUS WITH AN UMBRELLA. SHE LOOKS DOWN AT LORRAINE LOOKING SMUG.​





    WOMAN


    Have I got a surprise for you.

    CLOSE UP OF AN UNCONSCIOUS LORRAINE.







    INT. FIREPLACE





    INT. LORRAINE.​




    Lorraine is feeling woozy, as she regains consciousness, but her eyes remain closed. She lays on a Sofa.


    There appears to be somebody present in the room with her.​





    LORRAINE


    Mom? Mom is that you?




    The voice of a young girl sounds.​





    GIRL


    There, there now. Just relax. You've been out for half hour now.




    The girl rubs a damp towel over Lorraines's forehead. Lorraine stirs.​





    LORRAINE


    I dreamt I was in a Police Chase in a Delorean, with Calvin Klein from 1955 and his daughter. Then I was in the middle of nowhere and lost. I was scared.





    GIRL


    Well. You're safe and sound now....

    Back in good 'ole 1925.




    Lorraine opens her eyes wide in shock.





    LORRAINE


    Nineteen - Twenty Five!





    SUDDENLY, THE FRONT ROOM LIGHTS COME ON.




    Lorraine jolts up and sees a girl about aged 10 sat beside her in a Night Clothes. She has long brown hair and a pony tail.


    She finds the girl familiar. Lorraine is lost for words and thinks she stills dreaming.




    LORRAINE


    You're my M- Your my M-




    A STERN MALE VOICE IS THEN HEARD.





    MALE (O.S.).


    And you're under arrest lady!​




    INT. POLICEMAN.





    An officer appearing in a 1920's Police Uniform. Big Hat with a Square Like Badge on it.


    An overcoat on top of a Cotten Coat with a Star Badge on the Right Side. And wearing White Gloves.

    Stella's mother walks over to her daughter, Stella, who from this point will be one day mother to Lorraine.


    Lorraine is beside herself in panic. The officer walks over to her.​





    POLICEMAN


    Oh your feet Ma'am.




    Lorraine gets to her feet and looks to Stella. Stella seems unerved.​





    WOMAN


    This woman is dangerous. She needs locking up.





    POLICEMAN


    I assure you Ma'am, this lady will not be bothering you again.




    Lorraine is scared.​





    LORRAINE


    This can't be happening. This can't be happening. This is a Nightmare.




    Lorraine is led away, as Stella watches on.​











     
  5. cardiff1984

    cardiff1984 Soap Chat Active Member

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    EXT. DARK.





    Country Road.





    EXT. MARTY MCFLY.​




    EXT. LINDA MCFLY.





    EXT. EINSTEIN.





    The Two along with Doc's Dog, wander down an open road. There is nothing but vast country at the time.


    They are concerned for the welfare of their beloved Lorraine - the forty seven year old version from 1985.​

    Linda breathes heavily from the Winter Cold. Marty rubs his head.​





    MARTY


    God I'm so tired.





    LINDA


    I'm cold - Hungry.





    LINDA


    Your Grand Mother couldn't have got far.





    Linda is upset.





    LINDA


    Let's hope not. We've put her in this position. All because of Doc and that Time Machine.




    Marty remains calm.​





    MARTY


    I know. Now the Delorean has been wrecked, it's one of many bad scenario's that could destroy the Universe.




    Linda turns abruptly. She is angry.​





    LINDA


    Daddy. It's because of Doc's silly games with the Space Time Continuum that has lost us two of our loved ones. I'm not going to let fate repeat itself with my Grandmother.





    MARTY


    I read Doc's letter....


    (Marty eyes light up)


    Wait a minute...




    Linda is confused.​





    LINDA


    What is it?




    Marty points.​




    Linda looks to where her father's finger is pointing​




    EXT. BROWN FARM


    BROWN FARM SIGN.





    A dim street is lighting the sign.





    Marty gets a little excited and runs to the overhead sign. Einstein comes beside him.


    Linda just about makes out the writing.​





    LINDA


    Brown Farm? You don't think..?




    Marty interrupts his daughter in agreement.​





    MARTY


    Yeah..I do.




    Marty, Linda and Einstein proceed up to the Farm.





    EXT. FARM HOUSE.​




    The house seems fairly large. Smoke appears to be coming out of the Chimney. They push open a large gate.





    Farm animals are heard.​




    EXT. 1924 CHRYSLER CAR.





    The Automobile is parked underneath an archway next to the house.





    Marty and Linda stop and look up at the Minimal lighting lit by a Torch Lamp.​





    LINDA


    Well, what do you want to do?




    Marty is hesitant. It's just a hunch.​





    MARTY


    I don't know.




    Marty looks to his right and sees a Barn beside the house. Marty walks away from Linda and goes to the front of the massive door. It's fairly high and width wise big too. Linda quickly rushes over.​





    LINDA


    What you looking at?





    MARTY


    I wonder what's behind here.




    Linda feels uneasy.​





    LINDA


    You know Dad. I don't think we should hang around, Grandma is MIA, in case you forgotten. Anyway we could be barking up the wrong tree. Who's to say this Farm is not owned by an alternate Brown Family?




    Marty is feeling suspicious.​





    MARTY


    There's only one way to find out.




    Marty then attempts to get into the barn.





    SUDDENLY A GUN IS HEARD CLICKING. AND AN AGGRESSIVE FEMALE VOICE SOUNDS.




    FEMALE (O.S.).


    Not so fast, Criminals!




    Both Marty and Linda freeze and raise their hands.​





    FEMALE (O.S).


    Turn around nice and easy.




    They cautiously turn.





    EXT. BLONDE LADY.​




    An attractive woman in her mid thirties, in her Night Clothes is pointing a Shotgun at the Time Travellers. Linda panics.​





    LINDA


    We don't want any trouble.





    LADY


    You should have thought of that, before you decided to break into my Barn.





    MARTY


    It's not like that.





    LADY


    That I find that hard to believe. And I guess Irving Tannen has sent his new spies to try and find anything that threatens him and his dirty work.




    Marty frowns.​





    MARTY


    Irving Tannen?





    LADY


    Don't play stupid. The Browns have been wanting revenge against us for decades, ever since the legend of Clint Eastwood.




    Marty's suspicions were correct.​




    Linda frowns to the name Clint Eastwood.​





    LINDA


    Clint Eastwood?




    The lady laughs a little, not convinced the two no nothing to what she is referring to.​





    MARTY


    I was right.





    LADY


    Well, whether you are right about whatever, you messed with the wrong person. Now you got exactly three seconds to get off my land, before I blow your tales and your mut to Kingdom come.




    Marty and Linda fear for their lives.​





    MARTY


    Please Ma'am don't be too hasty.





    LADY


    One...





    LINDA


    Oh crap.





    LADY


    Two...




    THEN A MALE VOICE CALLS OUT.​





    MALE (0.S).


    MARTHA NO!




    The call out prevents Martha from shooting both Marty and Linda.





    Marty and Linda look for the voice.​




    The man in the shadows reveals himself.





    EXT. JULES BROWN.





    Jules Brown appears within the Torch Lamp. Marty and Linda have no idea who the man is. Jules comes to assure Martha, who wonders why he has prevented her from protecting the Farm.




    JULES


    I know this man.




    Martha lowers her Shotgun.​





    MARTY


    Who are you?





    JULES


    I'm Jules. Son Of Doctor Emmett Brown. It's been a long time.




    EXT. VERNE BROWN.





    Verne then appears. He is elated to see Marty.​





    VERNE


    Oh my God. Marty Mcfly. It was you. I haven't seen you since we stopped off....!




    Jules interrupts.​





    JULES


    Since we last saw him in San Francisco.




    Marty breathes a sigh of relief. Einstein runs over to the Brown Brothers. Verne pets him.​




    Linda is exhausted.​





    LINDA


    Well that's a relief.






































     
  6. cardiff1984

    cardiff1984 Soap Chat Active Member

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    INT. BROWN FARM.







    CLOSE UP OF DOOR.





    The door opens.








    INT. MARTY MCFLY.​




    Marty is presented with a mystery room.





    INT. JULES BROWN.





    Byn Jules Brown.​




    INT. VERNE BROWN


    With younger brother.





    INT. LABORATORY.





    A Science Room.​




    Marty familiarizes himself with the massive workshop. It's a comination of Doc's Lab's and Workshops from 1885, 1955 and 1985.​




    INT. RAIL MODEL.





    The Rail Model of which Doc made in 1885 for Marty's return to 1985 has been maintained in the Lab for Nostalgia. Marty walks around it.


    Several Clocks are seen hanging on the wall, as well as Science Appliances and Gadgets. Jules and Verne assist Marty on his Tour.




    JULES


    See anything familar?

    Marty chuckles a little.​





    MARTY


    Yeah. I do sense a little Deja Vou.




    Verne looks concerned.​





    VERNE


    I can't believe the Delorean that got destroyed, is the one that Dad's supposed to travel to 1885 in.




    Jules taps his brother on the shoulder.​





    JULES


    We'll think of something.


    (turns to Marty)


    I take it you recieved Papa's letter?




    Marty nods feeling sad. He turns to the brothers and presents the letter from his pocket. The Browns feel awkward. Jules puffs his cheeks amd


    removes his overcoat and throws it down.




    JULES


    It wasn't easy for him. Papa - and us dedicated ourselves to finding a cure for your cause.





    VERNE


    We went several decades. Even Centuries into the future.





    JULES


    To no aveil.




    Verne sits down. He gulps.​





    VERNE


    We couldn't dwell on what if's and buts. Dad lost perspective of how the change affected you personally. But, what happened in 1985 was Catastrophic.





    JULES


    The one regret he did have, was when he learnt of the consequences for you and your destiny.




    Marty listens carefully and rests his hand on a desk. He thinks for a moment. Marty speaks to Verne.​





    MARTY


    Outside, Jules stopped you from revealing a time when you last saw me. I take it that wasn't from the altered time line?





    VERNE


    The year 2000 to be exact. We were teenagers then.





    JULES


    From your perspective you last saw us on October 27th 1985.







    Marty nods to the confirmation, although confused at the same time. Marty turns round and observes the Model of The Railroad. Marty thinks of Doc and misses him.​





    MARTY


    I never blamed him. He was maybe foolish at times, but his heart was in the right place.








    Jules and Verne look at each other.





    JULES


    It has come at a consequence though Marty.





    MARTY


    Yeah I know.




    Jules glances at the letter in Marty's hand.​





    JULES


    Dad died a long time ago. Mom passed away five years ago.




    Marty nods, close to tears.​





    VERNE


    He actually passed away several hours after he wrote that letter. It broke his heart. He was guilty. But, we made a promise not to interfere with the events following 1985. We had hoped events would had followed it's course, which led up to our birth.





    JULES


    If Dad isn't sent back to 1885, we could have a Paradox and we won't be born.





    MARTY


    That reminds me. The earlier version of your father is stuck in 1985.




    The Browns brothers sigh in frustration.​





    JULES


    And your Mother, Daughter and yourself are stuck here in 1925, with no way back.





    MARTY


    And staring the end of the Universe in the face.




    Verne gives a suspicious look and grinds his teeth a little.​





    VERNE


    Well, that's not entirely true is it?




    Jules rolls his eye. He then smiles a little in agreement. Marty wonder what they could mean?​





    MARTY


    Huh?




    Jules looks reluctant.​





    JULES


    I suppose we didn't entirely fulfill Dad's wishes.





    VERNE


    We have something to show you.





    JULES


    Just don't tell my wife....Martha that is.






















     
  7. cardiff1984

    cardiff1984 Soap Chat Active Member

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    INT. BROWN FARM





    A SWITCH IS FLIPPED.





    A UNDERGROUND SWIRLING STAIRCASE IS REVEALED.​




    INT. MARTY MCFLY.





    Looking down the Stair Case.





    CUT TO MOMENTARY DARKNESS.​




    SUDDENLY A ROOM IS LIT UP WITH ILLUMINATING BLUE LIGHT





    INT. JULES BROWN


    Stood left of Marty.





    INT. VERNE BROWN


    Stood to Marty's left.





    Jules and Verne walk ahead of Marty, to a massive cover, which hides something of importance and secretive.Both Brothers stand either


    side of the covering. Marty awaits the revelation.​





    JULES


    We couldn't decide. So we just - left it here.





    VERNE


    Good job we did.




    The two brothers glance at each other and Jules gives a go ahead nod. They pull back the covers.





    ZOOM IN OF MARTY



    He is astounded by the reveal and his jaw drops.





    EXT. DELOREAN REPLICA.





    A Delorean Time Machine, similar to the original is unveiled.​





    MARTY


    Whoa..


    (it begins to sink in)


    Another Delorean?





    JULES


    You could say father was Nostaglic. The Time Train was what you could say a Convenience. He always loved this best for some reason.





    VERNE


    It's been kept down here for twenty years.




    Marty frowns.​





    MARTY


    Twenty years? Doc wrote that letter in 1915.





    VERNE


    When Father altered the Time Line, we were reciding back in 1905 at the time. And after he discovered the future was not like it was originally, he took it pretty bad.





    JULES


    He never predicted the chain reaction that followed. The events surroundings your sisters passing and those awful events in 2001...and Jennifer. He lived with guilt until he passed.
    Jules looks at the Time Vehicle feeling emotional. He rubs the top of the car.





    JULES


    The Time Machine is non functional now.




    Marty walks over to the Delorean.​





    MARTY


    Because it's not been used for two decades?





    JULES


    Precisley. Suitable Replacement parts will not be available until 1947.





    VERNE


    Well, lets not forget the Train.




    Jules tries to correct his younger sibling.​





    JULES


    Little brother, the Fluxcipacitor is beyond repair. Plus, we don't even have the technical knowledge for that.




    Marty finds that odd.​





    MARTY


    I'm surprised, Considering you are the sons of a genius and you have a Lab upstairs.





    JULES


    Verne and I are lecturers - teachers in Science. Unfortunately, we don't have the hands that father did. We can fix a car.




    Verne gives a hint of suggestion that it's not entirely true. Jules finds Verne's expression suspicious.​





    VERNE


    That's not entirely true.





    MARTY


    You mean you can fix the Time Machine?




    Verne smiles.​





    VERNE


    Sure.




    Jules is stunned and annoyed at the same time.​





    JULES


    Since when?




    Verne is a little evasive.​





    VERNE


    Since...


    (pauses)


    a few years before Dad passed away.




    Jules is up in arms.​





    JULES


    And why did you keep that from me?





    VERNE


    I didn't think you were bothered. You're a good teacher anyway.




    Jules puffs sarcastically.​





    JULES


    Geez thanks. Anything else?




    Verne smirks.​





    VERNE


    Before Dad ceased time travel, he made sure we didn't come unstuck for much needed appliances. We have replacement parts.




    Marty is feeling positive.​





    MARTY


    Perfect





    VERNE




    If I manage to fix up the Delorean, we can give this to the earlier version of my Dad in 1985. Hopefully I can get the Fluxcipacitor and Time Circuits running on the Time Train too.





    JULES


    Well - that I can agree on. That way we can figure out a Scenario which leads to his trip to 1885.


    (looks to Marty)


    And for your younger self to be in 1955, when you learn his fate. Although I can't guarantee Biff's fate - not that you care about him anyway.




    Marty is silent, with a worried look on his face.​





    JULES


    Marty, I know you had your own personal reasons being in 1985, Have you decided what you're going to do after you leave this Era.





    MARTY


    First I have to find my Mom. She's gone walk about here in '25'




    Jules and Verne gasp.​





    JULES


    Great Scott.





    VERNE


    Let's hope she doesn't wander into Irving Tannen Territory.




    Marty turns to Jules.​





    MARTY


    Your Wife mentioned that name. Another Tannen?





    VERNE


    Son to Buford Tannen. Father to Gerald Tannen.





    JULES


    He's not to be crossed Marty. He's manipulative. He's a Gangster. Strickland wants to throw the book at him, but Irving has a deputy in his pocket.





    MARTY


    Guess it comes with the Prohibition Era.




    Jules and Verne feeling uncomfortable.​





    JULES


    There's something else. Buford is still alive. And even as an old man is still bitter about forty years ago. Since September 7th 1885, he has vowed not to rest until he gets revenge against your alias Clint Eastwood.





    VERNE


    Even though folk think you died in the Ravine.




    Marty looks at the Time Machine and and rubs his head.​





    MARTY


    It's a risk I'm willing to take.




    Jules shakes his head in disagreement and takes a few paces towards Marty.​





    JULES


    Marty. You're tired. And considering your diagnosis, I don't think you should stress yourself out. Stay here, I will go look for your mother for as long as it takes.





    VERNE


    I will be here fixing up the Delorean up.




    Marty considers Jules offer. Marty is desperate for his mother to be located. Marty taps Jules shoulders and gives him a thumbs up.​





    MARTY


    Please find her Jules.





    JULES


    I will.




    SUDDENLY A FAMILAR FEMALE VOICE IS HEARD.​





    LINDA (O.S).


    Well, I'm going with you.




    Linda has discovered the secret room. She spots the Delorean Time Machine and is amazed.​





    LINDA


    Wow.




















     

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